Showing posts with label DRC. Show all posts
Showing posts with label DRC. Show all posts

Thursday, September 9, 2010

Best Shots (130) ~ Marcus Bleasdale

(157) Marcus Bleasdale ~ Child Soldier. Ituri Province, Democratic
Republic of Congo, 2003, (8 September 2010).

I usually do not comment on installments to The Guardian's "Best Shot" series. But this week there is a short, very insightful and intriguing video interview with Bleasdale that I recommend to you - click on the date above. Here are two remarks he makes that are incredibly telling.
"I don't want you to see one child, carrying one Kalashnikov, riding one bike there. I want you to kind of see all of them. I want you to kind of extrapolate to 30,000. There are thirty thousand of these kids out there. This is just one of them. I think that is why I find this image so important."

"The driving force behind this work is the statistics ... It's five point four million people who've died in Congo since 1998. That's the largest death toll in the world since the Second World War. ... Ummm ... That's what drives me ..."
This central problem - of capturing large numbers, of conveying "statistics" - is what I find so interesting.

Notice too - that Bleasdale, denies he's an artist and that he expresses, indeed embraces, a deep anger about the indifference the rest of the world displays toward disasters in Congo and elsewhere.

Monday, July 5, 2010

Andrew McConnell


The Chefferie IDP site, home to some 4,000 people, in the town of
Kitchanga, North Kivu, Democratic Republic of Congo, 2007.
Photographs © Andrew McConnell.

I am not sure just where I came across a link to Andrew McConnell's web page, but I am fortunate to have done so. I have been making periodic, brief visits for a couple of weeks now and have become increasingly impressed by McConnell's work. His Congo project depicts the complexity of the situation by resisting the conventional pressure of documentary to focus solely on individuals among the populations of displaced persons and by incorporating images of the various military groups involved in the ongoing violence. What McConnell offers is a vision of a lethal political and military landscape. In this respect the Congo project is typical of his other work - subtle, insightful, compelling. This is extremely powerful work.